User:David Shankbone/Interviews
 A recent poll in Iowa has put him in eighth place, with 2% supporting his campaign. "If we don't finish fourth or better in Iowa...we'll pull out." Senator Brownback's relationship with God infuses almost every answer you find below. Although he doesn't feel "competent" to explain why God would dislike gays, he does feel strongly that allowing two men or two women to enter into the union of marriage will destroy it for heterosexuals. Pointing to the research of Stanley Kurtz at The Hoover Institute, Brownback asserts that Northern Europeans have "taken the sacredness out of the institution." In the interview, Senator Brownback discusses the tug-and-pull that befalls him when his constituents show up at his office and say, "Look, I'm a conservative, but we need this bridge, we need this subsidy, we need this hospital.” Brownback feels this spending system needs to be changed; however, when it comes to energy policy, Brownback is there for his constituents. David Shankbone asked the Kansas Senator, a supporter of cellulosic ethanol, why he doesn't support the lowering of tariffs on sugar since sugar ethanol delivers 8 times the energy output of cellulosic ethanol. Brazil, in particular, has become energy independent because of its sugar ethanol program. It's cheaper to produce, and there is vastly more bang for the buck in sugar fuel than in corn fuel; an entire country no longer needs to import oil because of it. Federal tariffs currently make sugar ethanol too expensive in the United States. "You're going to kill the ethanol industry here just as it gets going," was Senator Brownback's response. However, there is a debate over whether the process to make corn ethanol uses more energy than the ethanol itself produces. Below is David Shankbone's interview with Senator Sam Brownback.
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 "Jeez, Mr. Talese, lots of things," was my response. I lied. The truth is that when I call people to interview them, I do not have a set of preconceived questions. My agenda is to talk to them to have a sense of who they are, to flesh them out as humans. To find out what they think about the world around them at that moment. With Gay Talese I had little interest in talking about Frank Sinatra Has a Cold and with Augusten Burroughs I had little interest in discussing Running with Scissors. I want to know what they think about things outside of the boxes people have placed them in. With a memoirist like Burroughs, even this is a challenge. What parts of his life he has not written about himself, other interviewers have over-mined. When we met for dinner at Lavagna in the East Village, I explained to Augusten this issue. I suggested we make the interview more of a conversation to see if that would be more interesting. "Instead of you in the catbird seat," I said, "let's just talk." We struck an instant rapport. What set out to be an hour and half interview over dinner had turned into four hours of discussion about our lives similarly lived. I removed half of the interview; the half that focused on me. Below is David Shankbone’s conversation with writer Augusten Burroughs.
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 Below is David Shankbone's conversation with the electronica pioneer.
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 Gilmore feels Satanists are often misunderstood or misrepresented. LaVey's teachings are based on individualism, self-indulgence, and "eye for an eye" morality, with influence from Friedrich Nietzsche and Ayn Rand; while its rituals and magic draw heavily from occultists such as Aleister Crowley. They do not worship—nor believe in—the Devil or a Christian notion of Satan. The word "Satan" comes from the Hebrew word for "adversary" and originated from the Abrahamic faiths, being traditionally applied to an angel. Church of Satan adherents see themselves as truth-seekers, adversaries and skeptics of the religious world around them. On a windy October day in Central Park, David Shankbone sat down with the High Priest of the Church, Peter Gilmore, who has led LaVey's congregation of Satanists since his passing in 1997 (he became the High Priest in 2001). They discussed the beliefs of the Church, current events, LaVey's children and how Satanism applies to life and the world.
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 Goldman stops for a moment and then smiles plainly. "They thought I was just some stupid woman.... That time sexism worked in my favor." Vivien Goldman has become a living, teaching testimony of the golden era of punk and reggae. She is an adjunct professor at New York University who has taught courses on the music scene she was thrust in the middle of as a young public relations representative for Island Records. She writes a column for the BBC called "Ask the Punk Professor" where she extols the wisdom she gained as a confidant of Bob Marley; as the person who first put Flava Flav in video; as Chrissie Hynde's former roommate; as the woman who worked with the The Clash, Sex Pistols, The Slits and The Raincoats. As Wikinews reporter David Shankbone found out, Goldman is one of those individuals that when you sit in her presence you realize she simply can not tell you everything she knows or has seen, either to protect the living or to respect the dead.
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 We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O'Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. "I think Bat For Lashes are beyond a trend or fashion band," said Jefferson Hack, publisher of Dazed & Confused magazine. "[Khan] has an ancient power...she is in part shamanic." She describes her aesthetic as "powerful women with a cosmic edge" as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. "I love the harpsichord and the sexual ghost voices and bowed saws," said Radiohead's Thom Yorke of the track Horse and I. "This song seems to come from the world of Grimm's fairytales." Bat's debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. "It was a surprise that Klaxons won," said Khan, "but I think everyone up for the award is brilliant and would have deserved to win."
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 On the eve of the book's publication, David Shankbone went to the Upper East Side of Manhattan to discuss the past and future of Freud and psychoanalysis with Dr. Merlino, one of the preeminent modern psychoanalysts. Shankbone took the opportunity to ask about what insanity is, discuss aberrant urges, reflect upon sadomasochism ("I'm not considered an expert in that field," laughed Dr. Merlino), and the hegemony of heterosexuality. Dr. Merlino posits that absent structural, biochemical or physiological defects, insanity and pathology are relative and in flux with the changing culture of which you are a part. So it is possible to be sane and insane all in one day if, for instance, you are gay and fly from the United Kingdom to Saudi Arabia.
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 And to those who read the Times last Saturday, Messina wants you to know his father never apologized for raising him as a Mets fans. "I never asked for his apology, and he never apologized, nor did he owe us one. I was misquoted in the New York Times." Messina's parents taught him about opposite ends of the spectrum of life. "My mother was supportive even when I made mistakes. She taught me to never give up no matter what vocation you choose in your life." Whereas Messina's mother taught him to never give up, his father taught him how to die with grace. He passed away from cancer in 2005. "I got to see a man who accepted his fate. He was like the Captain of the Titanic. My mother was also calm. I was the one freaking out inside. I saw someone who had acknowledged his own demise, accepted it, and died at home. He was a tough old guy. It takes a lot to accept that; it takes a very strong person. Some of the special moments toward the end was sitting with him and watching baseball games."
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 Musto, a Columbia University graduate, is a rarity in today's celebrity world: he is accessible. He often corresponds with his readers and his public functions are a mix of parties, nightclubs, academic lectures, university panels and film premieres. He is friendly and frank, and he welcomes people to join him in his world ("I just got a message that Michael Lucas died!" he says staring wide-eyed at his phone; the message turned out to be false). David Shankbone spoke with Musto about his life and his relationship to the world of celebrity journalism. And he did not hold back.
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 David Shankbone journeyed to the Bowery Ballroom to talk to the two founding members of Bang Camaro, Alex Necochea and Bryn Bennett. But when MTV.com shows up at the same time as Wikinews to do an interview, the band must split up. Below is our conversation with Necochea about touring, influence, politics, throwing his corpse out of a plane and flatulent women.
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 None of this would have happened to either actor if instead of racist or homophobic terminology they had said, "Shut up, fattie!" or "Fat ass!" It's not an easy time to be fat in America. A fat person is seen as weak-willed, as suffering from an addiction to food, as unhealthy and deserving of ridicule. It goes without saying that people who are overweight are, indeed, people with a full range of emotions and feelings that are as easily hurt as a thin person's. David Shankbone met Kira Nerusskaya, a documentary filmmaker, at this year's Tribeca Film Festival. Her film The BBW World: Under the FAT! is in production and post-production. She is a self-described Big Beautiful Woman (BBW) and she hosts the website TheBBWWorld.com; she is also one of the leading voices that has recently emerged for fat acceptance. In researching her film she has traveled to Russia, London, Paris, Ireland and all over the United States to interview fat women about their obesity and their place in their respective societies. Below is an interview with Nerusskaya about the health, issues, public reactions to and sexuality of a BBW.
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 Posner was fired for expressing her opinion on a YouTube video about regulations affecting her South Beach neighborhood. Like many rejuvenated communities in the United States, Posner's historic south Fifth Street has become the Tribeca of Miami, a fashionable, trendy nightspot with a maelstrom of growth in hotels, restaurants and boutiques that have out-priced many long-term residents. Local activist Frank Del Vecchio asked Posner if she would appear in the eight-minute Close the Loophole video, directed by Emmy award-winning documentarian Robyn Symon, to state her belief that a loophole that allows popular local restaurants such as Prime One Twelve and Devito South Beach to exist in her residential neighborhood should be amended to limit the amount of seats in the establishments in proportion to their number of rooms. Her segment began, "Hi, I'm Trisha Posner. I'm a journalist and columnist for Ocean Drive magazine. I am married to Gerald Posner, the author." Within a few hours after her appearance, she was fired by Ocean Drive publisher Jerry Powers. Posner was aghast and bewildered. Attractive and comely, as a health columnist she is an unlikely candidate as a civic instigator; but those qualities belie Posner's buffalo stance on doing what she feels is right for her community. "I hate being in the public eye and I prefer to be low key," Posner told Wikinews in an interview. "To do the video I was nervous. Only in person do I feel comfortable." Wikinews reporter David Shankbone recently spoke with Posner.
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 Their first EP, Chain Gang of Love, was a critical and commercial success. "Few albums provoke such amazing imagery," said the BBC. Pretty in Black is virtually fuzz-free, highlighting the exquisite detail in the Raveonettes' gift for pastiche: the prowling, garage-surf guitars in "Love in a Trashcan"; the ghost dance of "Red Tan," wrapped in Phil Spector-style sleigh bells," said Rolling Stone of their next album. Of their current album, Lust Lust Lust, set to be released on November 5th (although Amazon says March 4, 2008), Sune told NME that, "There are a lot of songs that deal with desire, restlessness and the tough choices you have to make sometimes." Fans can here some of the new material at MySpace.com/TheRaveonettes. Below is David Shankbone's interview with Sune Rose Wagner and Sharin Foo.
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 When Shankbone rings the bell of "HC & Co." he has no idea what to expect. A BDSM (Bondage Discipline Sadism Masochism) dungeon is a legal enterprise in New York City, and there are more than a few businesses that cater to a clientèle that wants an enema, a spanking, to be dressed like a baby or to wear women's clothing. Shankbone went to find out what these businesses are like, who runs them, who works at them, and who frequents them. He spent three hours one night in what is considered one of the more upscale establishments in Manhattan, Rebecca's Hidden Chamber, where according to The Village Voice, "you can take your girlfriend or wife, and have them treated with respect—unless they hope to be treated with something other than respect!" Below is David Shankbone's interview with Bill & Rebecca, owners of Rebecca's Hidden Chamber, a BDSM dungeon.
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 Christopher Hitchens called him a "Bin Ladenist" and Cathy Young editorialized in The Boston Globe that he "blames the victims of terrorism" when he puts out a novel like Snowball's Chance, a biting send-up of George Orwell's Animal Farm he was inspired to write after the terrorist attacks on September 11. "The clear references to 9/11 in the apocalyptic ending can only bring Orwell's name into disrepute in the U.S.," wrote William Hamilton, the British literary executor of the Orwell estate. That process had already begun: it was revealed Orwell gave the British Foreign Office a list of people he suspected of being "crypto-Communists and fellow travelers," labeling some of them as Jews and homosexuals. "I really wanted to explode that book," Reed told The New York Times. "I wanted to completely undermine it." Is this man who wants to blow up the classic literary canon taught to children in schools a menace, or a messiah? David Shankbone went to interview him for Wikinews and found that, as often is the case, the answer lies somewhere in the middle. Reed is electrified by the changes that surround him that channel through a lens of inspiration wrought by his children. "The kids have made me a better writer," Reed said. In his new untitled novel, which he calls a "new play by William Shakespeare," he takes lines from The Bard's classics to form an original work. He began it in 2003, but only with the birth of his children could he finish it. "I didn't understand the characters who had children. I didn't really understand them. And once I had had kids, I could approach them differently." Taking the old to make it new is a theme in his work and in his world view. Reed foresees new narrative forms being born, Biblical epics that will be played out across print and electronic mediums. He is pulled forward by revolutions of the past, a search for a spiritual sensibility, and a desire to locate himself in the process. Below is David Shankbone's conversation with novelist John Reed.
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 In July, RuPaul's movie Starrbooty began playing at film festivals and it is set to be released on DVD October 31st. David Shankbone recently spoke with RuPaul by telephone in Los Angeles, where she is to appear on stage for DIVAS Simply Singing!, a benefit for HIV-AIDS.
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 In David Shankbone's interview with the President of the ACLU, Nadine Strossen, he wanted to cover some basic ground on the ACLU's beliefs. Perhaps the area where they are most misunderstood or have their beliefs most misrepresented is their feelings about religion in the public sphere. The ACLU categorically does not want to see religion disappear from schools or in the public forum; but they do not want to see government advocacy of any particular religion. Thus, former Alabama Chief Justice Roy Moore's placement of a ten ton monument to the Ten Commandments outside the courthouse is strenuously opposed; but "Lone Ranger of the Manger" Rita Warren's placement of nativity scenes in public parks is vigorously defended. In the interview, Strossen talks about how certain politicians and televangelists purposefully misstate the law and the ACLU's work in order to raise funds for their campaigns. David Shankbone's discussion with Strossen touches upon many of the ACLU's hot button issues: religion, Second Amendment rights, drug liberalization, "partial-birth abortion" and whether or not George W. Bush should be impeached. It may surprise the reader that many ideas people have about the most visible of America's civil libertarian organizations are not factually correct and that the ACLU often works closely with many of the organizations people think despise its existence.
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 Few reporters will ever reach the stature of Talese. His 1966 profile of Frank Sinatra, Frank Sinatra Has a Cold, was not only cited by The Economist as the greatest profile of Sinatra ever written, but is considered the greatest of any celebrity profile ever written. In the 70th anniversary issue of Esquire in October 2003, the editors declared the piece the "Best Story Esquire Ever Published." Talese helped create and define a new style of literary reporting called New Journalism. Talese himself told National Public Radio he rejects this label ("The term new journalism became very fashionable on college campuses in the 1970s and some of its practitioners tended to be a little loose with the facts. And that's where I wanted to part company.") He is not bothered by the Bancrofts selling The Wall Street Journal—"It's not like we should lament the passing of some noble dynasty!"—to Rupert Murdoch, but he is bothered by how the press supported and sold the Iraq War to the American people. "The press in Washington got us into this war as much as the people that are controlling it," said Talese. "They took information that was second-hand information, and they went along with it." He wants to see the Washington press corp disbanded and sent around the country to get back in touch with the people it covers; that the press should not be so focused on--and in bed with--the federal government. Augusten Burroughs once said that writers are experience junkies, and Talese fits the bill. Talese--who has been married to Nan Talese (she edited James Frey's Million Little Piece) for fifty years--can be found at baseball games in Cuba or the gay bars of Beijing, wanting to see humanity in all its experience. Below is David Shankbone's interview with Gay Talese.
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 Since breaking off from San Francisco local legends, mk Ultra, Vanderslice has produced six critically-acclaimed albums. His most recent, Emerald City, was released July 24th. Titled after the nickname given to the American-occupied Green Zone in Baghdad, it chronicles a world on the verge of imminent collapse under the weight of its own paranoia and loneliness. David Shankbone recently went to the Bowery Ballroom and spoke with Vanderslice about music, photography, touring and what makes a depressed liberal angry.
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 Since his time at Harvard Law School when he wrote a paper on the topic, what Wolfson wants is the right for gay people to marry. The issue gained national prominence in 1993 when the Hawaii Supreme Court held in Baehr v. Lewin that the government had to show a reason for the denial of the freedom to marry, not just deny marriage licenses to the plaintiff gay couples. Wolfson was co-counsel in the historic 1996 Hawaii trial in which he argued that the government does not have a sufficient reason for excluding same-sex couples from marriage. In 1999, Wolfson contributed to Baker v. Vermont, the case that led to the creation of civil unions; advised the lead attorneys in Goodridge v. Department of Public Health, the case that led to same-sex marriage in Massachusetts; and since 2003, when he founded the primary umbrella organization coordinating the efforts to win marriage for gay people, Freedom to Marry, Wolfson has played a role in every marriage equality case in the United States. He is the movement's founder and leader, and his focus remains square on winning that right. "For years," said Matt Foreman, executive director of the National Gay and Lesbian Task Force, "many of us were saying to him, 'We're not ready. The country's not ready. And, by the way, you're crazy.'"
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